{"id":3456,"date":"2025-12-04T09:11:15","date_gmt":"2025-12-04T09:11:15","guid":{"rendered":"https:\/\/neigeinterieure.fr\/?p=3456"},"modified":"2025-12-04T09:11:17","modified_gmt":"2025-12-04T09:11:17","slug":"lundi-4-decembre-2000","status":"publish","type":"post","link":"https:\/\/neigeinterieure.fr\/?p=3456","title":{"rendered":"Lundi 4 d\u00e9cembre 2000"},"content":{"rendered":"<p><em>Eur\u00eaka<\/em>, de Shinji Aoyama avec Ermold. Dr\u00f4le de film, beau et plut\u00f4t prenant malgr\u00e9 ses trois heures quarante \u2014 pendant lesquelles je me suis beaucoup moins ennuy\u00e9 que lors de films deux fois plus courts. <!--more-->Je ne sais trop quoi en penser, et je n\u2019ai pas envie de trop chercher non plus\u00a0; il entre mal dans mes cadres d\u2019analyse habituels (qui montrent leurs limites \u2014 mais je les \u00e9prouve souvent), notamment \u00e0 cause de son sujet, le lent retour \u00e0 la vie de trois personnages, deux enfants (la fille est fascinante) et un ancien chauffeur de bus, apr\u00e8s une prise d\u2019otages \u00e0 laquelle eux seuls ont surv\u00e9cu. Mais il cr\u00e9e une petite musique qui devrait persister longtemps\u00a0; peut-\u00eatre la raison pour laquelle je ne veux pas trop en parler\u00a0: il faut laisser la musique na\u00eetre et grandir. Un film (un livre, un disque, un tableau) ne se limite pas \u00e0 la dur\u00e9e pendant laquelle on est en contact direct avec lui.<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Eureka (trailer)\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/re-y8A4IAGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Eur\u00eaka, de Shinji Aoyama avec Ermold. Dr\u00f4le de film, beau et plut\u00f4t prenant malgr\u00e9 ses trois heures quarante \u2014 pendant lesquelles je me suis beaucoup moins ennuy\u00e9 que lors de films deux fois plus courts.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-3456","post","type-post","status-publish","format-standard","hentry","category-notes-xviii-la-poudre-aux-yeux"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/posts\/3456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3456"}],"version-history":[{"count":1,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/posts\/3456\/revisions"}],"predecessor-version":[{"id":3457,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=\/wp\/v2\/posts\/3456\/revisions\/3457"}],"wp:attachment":[{"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neigeinterieure.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}